Pedal signal chains and the jazz crossover question

Been thinking a lot about how effect pedals get discussed in producer circles versus how they actually show up in recordings. There's a tendency to mythologize certain signal chains, attributing sounds to specific gear when the reality is usually messier and more era-dependent than the legend suggests. For jazz production specifically, I find the conversation around pedals underrepresented. Chorus and mild overdrive have interesting applications in jazz contexts, but most producer interviews seem to treat pedals as a rock or experimental domain. Curious whether this shortlist surfaces any producers who are deliberately bringing pedal-based processing into jazz or jazz-adjacent work, and whether their documented setups reflect that.